LIT 340: The Romantic Movement [in
Fall 2005
Recitation 205, MWF 1-1:50
Dr. Robert P. Fletcher
Main Hall 541; Phone: x2745
Office Hours: M 2-3, 4-7, WF 11-12
E-mail: rfletcher@wcupa.edu
Homepage:
http://courses.wcupa.edu/fletcher/
Wordsworth, hearing about the
Liverpool-Manchester Railway, could see it, in his mind’s eye, creeping up
through Lancashire and then turning left into his beloved Westmoreland, a more
terrifying threat even than [the radical Lord] Brougham. He had always seen himself as a distant
observer of the changing world, perched on a hilltop, looking down through the
clouds and mist, his mind torn between wonder at its beauty and fears about its
future. . . . Three years later, this
notion was visualized in a remarkable painting by Caspar
David Friedrich (1774-1840), Wanderer Above a Sea of Fog (1818).
--Paul Johnson, The
Birth of the Modern
Course
Description
This semester we will
explore what is now called English Romantic literature meant to the writers who
produced it during the years 1780-1830 and to the readers who responded to
it. For the historian Paul Johnson, the
early 19th-century witnesses the “birth of the modern,” when many of
the lasting issues of the modern world—the relation of the individual to
society, the relations between genders, and those between the “West” and the
rest of the world, to name a few—are framed in what are still recognizable
terms. To many during the period, the literature produced was revolutionary in
its call for the abolition of slavery, the recognition of women’s rights, the righting of class injustices, and the
development of what were seen as new literary forms. Other voices responded to such revolutionary
calls with amusement or alarm; still others chose to withdraw to imagined
worlds. We will consider many different English
Romantic voices and texts to try to determine for ourselves what was important
about the period and its literature for its writers and for us as readers two
hundred years later.
Texts
Austen,
Dacre,
Charlotte. Zofloya, or the Moor. (Broadview) [Ordered late
for the course.]
Wu and Miall, eds., Romanticism:
An Anthology with CD-ROM. 2nd edition.
(Blackwell)
·
I ordered the 2nd edition of this text;
however, a 3rd edition was published this summer and at least one of
the local bookstores is having trouble getting copies of the 2nd. So we will have to make do with a mix of
both.
Course
Goals
Course
Requirements
NOTES: You must complete
the three major assignments in order to earn a “C” or higher in the course. This
class is Writing Emphasis and will include instruction
in literary critical writing.
Course Policies
We at
West Chester University’s
Mission Statement says, in part, “We appreciate the diversity the members of
our community bring to the campus and give fair and equitable treatment to all;
acts of insensitivity or discrimination against individuals based on their
race, gender, ethnicity, age, sexual orientation, abilities, or religious
beliefs will not be tolerated.” In accordance with
Late Assignments: Exams or other
assignments submitted late will have 1/3 of a grade deducted for each day (not
class period) that passes after the due date. I will not accept any assignment
more than 1 week late. Reading quizzes or homework may not be submitted late or
made up without a documented medical excuse.
Plagiarism: "Plagiarism is
using another's words or ideas without appropriate acknowledgement" (MLA
Style Manual 4). In essays and reports, "acknowledgement" means using
conventions of citation such as the quotation marks and parenthetical note in
the previous sentence. Papers and
reports will be expected to conform to MLA style. Even if you paraphrase someone's words, you
must provide a note showing your debt. In informal writing, as a common
courtesy, you should always credit the name of the person whose idea you are
mentioning or borrowing. NOTE: If you plagiarize or use commercial study aids
(e.g. Cliff's Notes), in your essays or report, you will receive an irrevocable
"F" grade.
LIT 340: The Romantic Movement
Class Schedule
|
Week 1 M
8/29 |
Revolution and the Rights of Man Introduction
to the course; after class read Bainbridge, “The Historical Context” from Romanticism: An Oxford Guide
(available as a PDF document at Blackboard (Bb). |
|
W
8/31 |
Price,
selections (1-3), Burke, selections (5-8) + selections from Reflections on the Revolution in France on
CD (CD: Contexts: Historical Documents), “Declaration of the Rights of Man”
(CD: Contexts: Historical Documents), Paine, selections (14-17), Wollstonecraft
“On Poverty” (141-42), Williams, selections (146-53) |
|
F
9/2 |
Blake,
The Marriage of Heaven and Hell
(84-94) |
|
M
9/5 |
Labor
Day |
|
Week 2 W
9/7 |
The Rights of Woman Debate Wollstonecraft,
selections from Vindication of the
Rights of Woman (142-45), Barbauld, “The Rights
of Woman” (25), Mellor, “Feminism” from Romanticism:
An Oxford Guide (PDF document at Bb) |
|
F
9/9 |
Hays,
“Appeal to the Men of Great Britain in Behalf of Women” Sections 1-5 (CD:
Contexts: Gender), Polwhele, “The Unsex’d Females” (CD: Contexts: Gender) |
|
Week 3 M
9/12 |
Slavery and the Slave Trade Clarkson,
An Essay on the Slavery and Commerce of
the Human Species, particularly the African (CD: Contexts: Historical
Documents), Equiano, Excerpts
online from The Interesting Narrative
of the Life of Olaudah Equiano,
or Gustavus Vassa,
Barbauld, “Epistle to Wilberforce” (22), More, “The
Sorrows of Yamba” (30), Yearsley,
“A Poem on the Inhumanity of the Slave Trade” (51), Coleman, “Post-colonialism”
from Romanticism: An Oxford Guide
(PDF document at Bb) |
|
W
9/14 |
Writing
about literature (See OWL handouts and other website listed at Bb.) First
Paper will be due 10/5. |
|
F
9/16 |
Blake,
Visions of the Daughters of Albion
(94-99); + skim Stedman’s Narrative of
a five years' expedition against the Revolted Negroes of |
|
Weeks 4-6 M
9/19 |
Nature, Imagination, and Aesthetics Burke,
Extracts from A Philosophical Enquiry
into the Origin of our Ideas of the Sublime and Beautiful: Part 1,
sections vi, vii and viii; Part 2, sections i, ii,
iii, v (up to the sentence including <P 113>); Part 3, all selections
(CD: Contexts: Theory); Knight, An
Analytical Inquiry into the Principles of Taste: Extract 4 on “the
picturesque” (CD: Contexts: Theory) |
|
W
9/21 |
Smith,
selections (34-36), W. Wordsworth, 7 sonnets (372-75), O’Neill, “Romantic
Forms: An Introduction” from Romanticism:
An Oxford Guide (PDF document at Bb) |
|
F
9/23 |
W.
Wordsworth, extract from Preface to Lyrical
Ballads (357-63), “Tintern Abbey” (265) |
|
M
9/26 |
W.
Wordsworth, The Two-Part Prelude,
Part I (300-11), “Crossing the |
|
W
9/28 |
W.
Wordsworth, “Daffodils” (383), D. Wordsworth, selections from The Grasmere
Journals (433-35), “A Cottage in Grasmere Vale”
(435), “Floating Island at Hawkshead” (438) |
|
F
9/30 |
Coleridge,
“The Rime of the Ancient Mariner” (528 ) |
|
M
10/3 |
Coleridge,
Extracts from Biographia Literaria
525-27), “Kubla
Khan” (523) |
|
W
10/5 |
Robinson,
“The Haunted Beach” (122), “To the Poet Coleridge” (124) |
|
F
10/7 |
No
Class |
|
Weeks 7 & 8 M
10/10 |
Literary Gothicism (and Orientalism) Fall
Break |
|
W
10/12 |
Dacre, Zofloya, or The Moor,
vol. 1 (be sure to read Craciun’s introduction when
you’re finished, if not before) |
|
F
10/14 |
Dacre, Zofloya, or The Moor,
vol. 2 |
|
M
10/17 |
Dacre, Zofloya, or The Moor,
vol. 3 |
|
W
10/19 |
Keats,
“The Eve of St. Agnes” (1043) |
|
F
10/21 |
De
Quincey, extract from Confessions of an English Opium Eater (630-38) |
|
Weeks 9-11 M
10/24 |
Art, Politics, and Society for the 2nd Generation Byron,
“So we’ll go no more a-roving” (751-2), extract online
from The Giaour,
Manfred, Act 1 (718-28), Stein, “Immortals and Vampires and Ghosts, Oh My!:
Byronic Heroes in Popular Culture” at Romantic Circles website |
|
W
10/26 |
Byron,
Manfred, finished |
|
F
10/28 |
Second Paper Assignment |
|
M
10/31 |
Byron,
extracts from Don Juan: Canto 1
(755-85) and Canto 2 (pages TBA) |
|
W
11/2 |
P.
B. Shelley, “To Wordsworth” (823), “ |
|
F
11/4 |
P.
B. Shelley, The Mask of Anarchy
(930), “ |
|
M
11/7 |
P.
B. Shelley, “Ode to the West Wind” (859), extracts from A Defence of Poetry (944-49, 955-956) |
|
W
11/9 |
Keats,
extracts from letters and 2 sonnets (1018-22), letter to Woodhouse (1042),
“Ode to a Nightingale” (1058) |
|
F
11/11 |
Keats,
“Ode on a Grecian Urn” (1060), “Ode on Melancholy” (1062) |
|
Week 12 M
11/14 |
Childhood and Education Selection(s)
from CD: Contexts on Education TBA; Blake, Songs of Innocence and Experience (60-84) |
|
W
11/16 |
Coleridge,
“Frost at |
|
F
11/18 |
W.
Wordsworth, “We are Seven” (231), “Expostulation and Reply” and “The Tables
Turned” (259, 260), De Quincey, extract from “The
Affliction of Childhood”, Suspiria De Profundis (642-46) |
|
Week 13 M
11/21 |
2nd Paper Due and Thanksgiving Break W.
Wordsworth, “Ode: Intimations of Immortality” (375), Mellor, “Why Women
Didn’t Like Romanticism” (PDF Document at Bb) |
|
11/23-11/25 |
Thanksgiving
Break |
|
Week 14 M
11/28 |
The Realist Novel Austen,
|
|
W
11/30 |
Austen,
|
|
F
12/2 |
Austen,
|
|
Week 15 |
Group Projects |
|
M
12/5 - M 12/12 |
No
class. Professor Fletcher will be
available during these times for consultations on your project. |
|
Final Exam |
Group Presentations Thursday,
December 16, |