week 1 week 2 week 3 week 4 week 5 week 6 week 7 week 8 transcription assignments
| date | warm-up | melodies | duets/canons | rhythms | dictation | assignment |
| jan 15 | I.1 | Ch. 1 B/F/K: 129-131 (dorian) | 85 | Dorian melodies Benward: M14C, 223 H13A, 208, H14A, 226 |
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| jan 17 | I.2 | 132-135 (phyrgian) | 87 | *Adler: Simple Duple | Phrygian melodies M14C, 223, H15A, 237, H13B, 208, H14B, 227, |
Trans. 11, track 32:vii°7/V and vii°7, p. 181 |
| jan 22 | I.1 | 136-138, 359 (mixolydian) | 88 | Mixo melodies M15C 5 mode ID, 238 H16 A, 258, H14B, 242, R13B, 214 |
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| jan 24 | I.2 | 139-141 (aeolian) | 89 | Aeolian melodies M15D, 239, M16D, 255 H15A, 237, H16 A, 258, H16B, 259 |
Trans. 12, track 35: diatonic 7 chords, p. 198 | |
| an 29 | II.1 | handouts (lydian) | Adler: Simple Quad | Lydian melodies M15C 5 mode ID, 238 M15D, 239, H13D, 211 |
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| jan 31 | II.1 | Ch. 5: 39, 40, 44, 46 (folk) | Adler (Mozart: Ave Maria) | Modal melodies M16D, 255, H16 A, 258, H16B, 259, H14D, 228 |
Trans. 13, track 38: 2dry dom chords, p. 218 | |
| feb 5 | DICTATION REVIEW | |||||
| feb 7 | DICTATION TEST 1: | |||||
| feb 12 | III.1 | Ch. 1: 349, 350, 352, 354, 356 (chrom) | 90 | Adler: Simple Triple | Pentatonic melodies M13A, 201 H15D, 239, R14A, 231 |
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| feb 14 | III.2 | 358, 361, 376, 378, 379 (chrom) | 91 | Whole-tone melodies M13A, 201, H16D, 262, R14A, 231 |
Whole-tone worksheet and recording | |
| feb 19 | III.2 | 382, 389, 410 (chrom)) | 92 | Octatonic melodies M14A, 221, H15D, 239, H15F 246, R15A, 247 |
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| feb 21 | II.1 | 368, 369, 372 (neapolitan) | 94 | Adler: Compound Duple/Quad | M14A, 221, Pentatonic vs. Diatonic and Whole-tone H16D, 262, H15F 246, R15A, 247 |
Octatonic worksheet and recording |
| feb 26 | II.2 | 455-458 (octatonic) | *Adler (Haydn: Solid Truth) |
Octatonic vs. Diatonic H15D, 239, H16D, 262, H15F 246, R15A, 247 |
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| feb 28 | DICTATION TEST 2 | Trans. 14, track 40, in Cm, 233 | ||||
| mar 12&14 | SINGING MIDTERM |