A Major (Minor) Issue

created by Amy Bauer, with JCross
Across
4. Chord built on the third degree of a scale.
7. Chord which may (6 down) a diatonic major or minor chord,temporarily creating a new I/i.
10. Interval that contains six half-steps.
11. Quality of the 7th found in a viiø7 chord (abb).
12. Solfege syllable used for the raised 4th degree.
13. A six-four chord which moves by step in the bass often has a ____ function.
16. A neighbor tone missing either its preparation or resolution could be labeled an (abb).
17. A cadence which resolves to a chord other than the tonic (abb).
20. A ____ six-four chord delays the arrival of a cloasing V-I.
21. This NCT leaps to a dissonance and resolves by step (abb).
22. The quality of sixth found between the bass note and the root in a first-inversion minor triad.
24. Solfege syllable used for scale degree 7.
25. RN for leading-tone cadence.
26. A six-four chord in which the bass is held over from a root position chord serves this function.
27. The quality of the second found between scale degrees 6 and 7 of harmonic minor.
29. The quality of third found between the each member of a fully-diminished seventh chord.
30. If you cannot include all four voices when part-writing a root position seventh chord, leave this note out.
34. The chord has the same function and structure in both major and harmonic minor.
37. RN for one version of 17 across.
Down
1. This NCT is related to the suspension, but resolves up instead of down (abb)
2. When writing a series of six-___, make sure that the bass moves by step.
3. Solfege for the fourth diatonic degree.
4. Remember that these are not __ rules, but those arrived at through study of the works of 18th century master composers.
5. The quality of the fifth found within the chord built on the seventh of a major scale.
6. The use of a secondary dominant will ___ the diatonic major or minor chord that follows.
7. When part-writing a seventh chord, always resolve the seventh by ____ in this direction (8 down).
8. When part-writing a seventh chord, always resolve the seventh by (7 down) in this direction.
9. Solfege for the second degree of the scale .
11. The process of shifting the tonal center of a work.
12. This is one of two intervals that are never written in parallel motion.
14. In this NCT, a dissonant tone-2, 4, 7, or 9-will __ over or under a held tone.
15. The notes C, Eb and Bb form an ___minor seventh chord.
18. The process of moving from scale degree 7 to 1 or from V7-I.
19. A V-I cadence which ends with the tonic in the soprano.
23. Solfege for the raised second degree.
28. The chords ii7 and IV share a __ - (34 across) function.
31. The first two chords of a diatonic circle of fifths beginning on the tonic.
32. RN for the submediant harmony.
33. Solfege for the third scale degree.
35. The embellishment of a single pitch by sounding its upper and lower neighbors in succession (abb).
36. Solfege for the lowered seventh scale degree.
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