1. vii°4/2 of ii
2. vii°6/4 of V
3. V6/5 of V
4. viiø4/3 of vi
1. X (not a secondary chord, V7)
2. vii°6/5 of V
3. X (vii can't function as goal)
4. viiø7 of ii
| m. # | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| G: | I 6 V | I V6 | G: | I V6 | IV6 ii43 | ||
| D: | I6 | V65 I V | I | IV I6 | e: iv43 V6 | i i42 iv6 | |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 | |
| i64 V | i | III | |||||
| G: | I IV43 V7/IV | ii vii°6 I6 (vi/IV) | ii6 iii V65/V (D as ant) | V I64 V7 (4-3 sus) | I |
1)
cm: i6 V7 | i | ebm: i6 V7 | I
2 sequential D chromatic mediant
2)
cm: i | | V6 | | v6 | IV6 | | iv6 | | i64 | (i) iii42 | (ii°) v gm: i | V
| I | iv
1 common chord (could also be considered 3 altered chord, due to modal v)
C closely related
3)
abm: vii°7 I vii°7/V | V ii | I 6 || EM V7 | I
4 common tone (Ab=G#)
These keys look like A, foreign, but can be considered B relative keys, as
abm=g#m, the relative minor of E major. However, the modal shift to Ab major
in m. 3 of this example produces, on a local level, the D chromatic mediant
relation between AbM and EM.
Music
Theory II Spring 2001 Bauer Final Exam
Click on Answer key to show
answer; double-click to hide again
I. Part-write the given secondary chord in 4 voices and resolve it to
its goal chord (8 %)
II. Analyze the chords below as secondary leading-tone or dominant chords
in the given keys (4 %):
III. If you can analyze each chord as a secondary domimant or leading-tone
chord in the key of A, do so; if not, cross it out (4%).
IV. Part-write the following progression in 4 voices and analyze with
Roman Numerals (18%)
MODULATION I Analyze chords and modulations in this choral by Bach.
Indicate tonic key, key of modulation, all Roman Numerals and inversions, and
common chords moving to and away from each key. (20%)
MODULATION II For each of the following excerpts analyze Roman Numerals
and inversions, and identify the type of modulation present, and the relationship
between the tonic and the key of modulation according to the following guide
(46%):
Modulation type
1 common chord 2 sequential
3 altered chord 4
common tone 5 direct (phrase)
Key Relation
A foreign, not related by third B
relative keys C closely related but not relative
D foreign, related by chromatic mediant
1)
2)
3)
