|
Across
|
| 3. |
IV-I creates a _ cadence. |
| 5. |
This chord often preceds the V at a cadence. |
| 6. |
The _-tone cadence substitutes vii for V. |
| 9. |
A V-I cadence in root position with a tonic in the final soprano
(abb.) |
|
Down
|
| 1. |
A V-I cadence that lacks a final tonic in the soprano (abb.)
|
| 2. |
This cadence ends on the dominant. |
| 3. |
This cadence is in root position, with the tonic in the final
soprano (abb.) |
| 4. |
This minor cadence approaches the dominant through an inverted
iv chord. |
| 6. |
In an an authentic cadence, the _ is always raised (abb.)
|
| 7. |
This cadence substitutes vi for the final tonic in an authentic
cadence. |
| 8. |
Cadences are often decorated by _-chord tones. |